I was invited by Anne Barwell to take place in the Fabulous Five Author Blog Hop. The idea is that we answer a specific set of questions and tag five more authors to do the same. The hardest part of the challenge has been finding someone who isn’t already doing this! The best part, however, has been reading what everyone is working on and what their writing process is like. So here I go!
Hah, this might as well read ‘what should you be working on?’ I’ve just finished the sequel to my FBI/paranormal story Unspeakable Words. Walk a Mile will be coming out with Dreamspinner Press in early October. I’ve started the sequel to that story as well, tentatively titled Truth and Consequences, because I left things on a bit of a cliff-hanger and I didn’t want my audience to suffer too long! I had a good session with my critique group today, and realized that I’m going to have to separate my plot lines and go for a fourth story in the series—there’s just too much going on to wrap it up in three books! I’ve just finished the galley proofs on Walk a Mile, and am anxiously anticipating the cover reveal. You know how it is with covers: it’s like finding out the sex of your unborn baby. You’ll love your child no matter what, but you want to know, right? I’ll be sharing the cover just as soon as I get it, believe me!
I recently had a short story published as part of The Not Quite Shakespeare Anthology, also from Dreamspinner. I also have several WIPs that need some serious attention—the kind where you evaluate the story and decide if it is dead in the water or simply needs more time to simmer. 🙂 I have a contemporary story that deals with the difficult topic of job burnout and depression, and another that’s a Regency romp. I want to get back to writing some science fiction as well.
I am seriously considering stepping a toe in to the traditional romance market, so I’ve been doing a lot of reading as a result. To be honest, I’m not sure I can write a heroine for a traditional romance story. I suspect when I launch the Madison Dean line of stories, I’ll be writing the same kind of quirky, non-traditional main characters, mixing a little humor, a little drama, some hot, sexy times, and a touch of paranormal activity together into story that’s a little bit out there. I have plans for a new series of stories set in the 1950s, in which my main characters are undercover agents investigating paranormal events in a small Southern town. Think of it as Ward and June Cleaver meets Area 51. 🙂 I’m excited about the idea of centering a heroine in the post-WW2 era. She’s come back from the war in which she’s done exciting, dangerous things, and is expected just to re-assimilate her life as a 50’s homemaker. Her partner, paired with her because he is the science to her soldier, has secrets of his own, one of which is that he took a pilot as a lover during the war. Writing M/F romance is a big departure for me, as Sarah Madison writes almost exclusively in the M/M romance genre. This is important to me, however. These are stories I want to tell.
2. How does my work differ from others of its genre?
I frequently describe my stories as being ‘romances with a twist’. I find odd things interesting. I spend most of my time running around thinking, ‘hey, wouldn’t it be cool if…?’ What that means is that you’ll seldom find a straightforward romance among my stories. As you can see from above, I describe Unspeakable Words as a ‘FBI/paranormal story’. The Boys of Summer is a contemporary story, but it has a long historical sequence within it. Crying for the Moon is about a vampire who wants to live a ‘normal’ life. The fun of writing for me is to create a set of characters and put them in a crucible of sorts–to put them in hot water and see how strong they are. It may be an odd confession for a romance writer, but romance in and of itself is not the driving force behind my stories. I’m interested in the characters and how they interact. Falling in love is icing on the cake. I wouldn’t want to eat just the frosting, though, would you? There has to be some tart to balance all the sweet.
3. Why do I write what I do?
Whew-boy. That’s a tough one. I wish I knew. I write stories that appeal to me. I’m aware they don’t work for everyone. Sometimes I wish my own thought processes were a little more mainstream.:-) I’m aware that I’m your basic mid-list author and that I will never rise to NYT bestseller status. The idea of writing outside the M/M genre is stemming from a desire to try my hand at something new, but also because I like the idea of challenging myself to create a heroine I can admire. One that goes against some of the common tropes. One of the reasons I enjoying writing M/M romance is because there is something incredibly liberating about writing from a male point of view. I love the fact that when two male characters come together in a romance, they meet on equal terms. No one is dominant or submissive to the needs of the other (unless that is part of the story). They each bring different things to the table. They each take turns rescuing or being the one needing to be rescued. The best part? While I may be called upon to defend my right as a straight woman to write M/M romance, I’ve never been taken to task for the portrayal of the characters themselves.
I *adore* strong female characters. Give me the Zoe from Firefly, or Peggy Carter from Captain America, or Kate Beckett from Castle. Creating a heroine of my own that I like and respect will be tricky, though. Heroines seem to come in for a lot more criticism than heroes. If she stands up for herself, she’s a bitch. If she is vulnerable, she’s weak. If she sleeps with the hero without a major show of reluctance and some resistance that needs to be broken down, she’s a slut. If she doesn’t sleep with the hero at all, she’s a tease. I think it is very difficult to write a three dimensional female character without inviting the world to heap coals of fire on her head for failing to meet the mythical standard of womanly perfection. You know that cell they had you study in biology class? With the nucleolus and the ribosomes and the Golgi bodies? Do you remember that in the fine print, the textbook said that no cell contained all the parts we were studying? They just put them all in this one imaginary cell so that you could learn all the different parts possible in a cell.
That’s how it is with heroines. It is ridiculous to assume they will contain ALL the possible characteristics that go into making the perfect heroine. No matter how you create her, someone’s going to hate what you’ve done. That’s okay. As long as I love her, I won’t mind.
So yeah. There are days when I dream of writing a ridiculously runaway bestseller like 50 Shades of Gray. Sadly, that kind of story doesn’t interest me as a reader or a writer. I’d die happy if I created a series heroine I adored, though.
4. How does my writing process work?
Well, it usually starts with a ‘what if’ idea. What if rooftop gargoyles came to life every night? What if they were fascinated by humans, read their books, observed their activities? Or what if a vampire decided to shun his old existence and attempt to live life as a moral? What if a hard-ass FBI agent accidentally touched an artifact and developed paranormal powers? I LOVE ‘what if’ questions. They take my mind on a wild journey where improbable dangers and cheesily romantic things happen. I play around with these ideas for a while, daydreaming over chores or before I drift off to sleep at night. Eventually the characters take form and I tone down the more ludicrous aspects of my fantasy. And lo, a story is born. 🙂
So there you have it! Now I’m going to some fabulous authors to answer the same questions next week on their own blogs and tag more authors themselves. And so on, and so on. Sometime during the first week of September, check out the blogs of Raine O’Tierney, Whitley Gray, Elizabeth Noble, and Eden Winters–and find out who they are tagging, too!