As per my norm when I’m ill, I tend to enter a weird shadow zone of ginger ale and crackers, comfort reads and cheesy television shows from the past. I don’t want anything that requires too much concentration. I don’t want anything that is going to blindside me or hurt. I read or watch TV until I doze off, sleep as long as I need (or until one of the dogs wakes me to go out), then get up, get a little something to eat and drink, and do it all over again.
As long as I don’t have to work while I’m sick, more and more these days, I don’t want the cycle of reading and snoozing to end. I am constantly on the go, and sometimes it seems nearly everyone’s needs come before my own. I’ve come to enjoy sick days. Once I get over how much time I’ve wasted being sick, I find I wish I could continue lying on the couch, binge-watching old television shows and reading favorite books.
Not all of the old favorites hold up to the test of time. Sometimes I reach for something I loved as a teenager and wonder what was I thinking when this was a favorite thing of mine. But there’s a common thread through most of my favorite entertainments: they know how to have fun.
Not just outright humorous stories, mind you. I rarely find the typical comedy shows funny. No, what I mean is a story or show that doesn’t take itself too seriously. That knows its premise is ridiculous and doesn’t mind poking fun at it. Bonus points if the *characters* themselves take it seriously–that just adds a delicious layer of irony to the whole process. Even the more serious shows, such as the gritty crime dramas I love, know when to place a ‘silly’ episode in between three or four more intense ones.
And after several days of re-reading and re-watching these old classics, one thing struck me about my current WIPs: I’m not having fun with them.
I’ve started and abandoned four stories in the last year–very unlike me. The first dealt primarily with job burnout, and whoa! Too close to home. I just couldn’t finish it. Not now. Maybe never.
The second is a Regency I’m revamping, adding in more secondary characters and fleshing out the backstory of the MCs. I love Regencies, but this isn’t my period or my forte. I know there are people out there who do this sort of thing better than I will and they already have an audience. Part of me wonders if it even makes sense for me to write this story when it’s not part of my ‘brand’.
The third is a contemporary story in which one of the MCs is a former solider and an amputee. It’s important that I get the details right, which means lots of research. Again, there are people who do this sort of thing better than I do. That’s not to say I’m afraid of hard work, just that again, is it part of my brand? I don’t really know. My ‘brand’ is all over the place, to be honest. I tend to write what I want to write when I want to write it. Perhaps a little more discipline and development of a recognizable brand would be useful.
The fourth is a major departure for me: set in the 1950s and dealing with an agency that investigates paranormal events (you read the part where I said my brand was all over the place, right?). Oh, yes, and instead of male/male romance, it would be more along the lines of a traditional romance, perhaps even with the sex scenes fade-to-black. It’s been so important to me to get the heroine right that it dawned on me the other day that the story has bogged down–and it took being sick and bingeing on my favorite stories of all time to see that I’m not having fun with this, either. I’ve been tossing obstacles at my heroine left and right in order to justify her attitude, and really, the fact she’s a woman in the 1950s who desires to be more than a housewife or secretary is enough of an obstacle right there. At least 25 K of what I’ve written so far needs to be scrapped. And what could be more ridiculous than Ward and June Cleaver meets the X-Files, which is how I refer to this story? I should expand on the wackiness here, not try to dress it up like a serious story. It was a relief figuring this out, let me tell you.
So yeah, first law of writing: have fun. Write what you want to write, not what you think will sell. Cross genres. Hell, mix them up. Don’t take yourself–or your characters so seriously. Sure, do the research (you have to respect the genre and the character) but don’t belabor it to the point of tedium. If it bores you, it will bore your reader as well. Let your wild creative side out to play. Sometimes you have to write 25 K to realize who your character is. Sometimes you have to write 25 K to realize who your character is not. Either way, they aren’t wasted words. Don’t dole out your sentences like each one is a precious heartbeat you can never get back again. Words are more like Doritos. We can make more. We can also trim them when they don’t fit the story we’re trying to tell. So don’t be afraid to be outrageous. You can always ‘tone it down’ in edits. When I look at which of my stories were wildly popular compared to others, they are usually the ones where I let it rip, threw in every trope but the kitchen sink, and in general said, “Yeah, I know this isn’t grand literature, but it’s fun.”
Have more fun with your writing. If you’re having fun, your readers will too. That doesn’t mean you need to turn every story (or piece of art, or whatever your medium is) into a 1930s screwball comedy. Some people find horror fun–I’m not one of them but I’m all for whatever floats your boat and makes you happy. These days, I think we could all use a little more fun in our lives.